Theatre, as a live art, has always been striving for innovation and escaping its limitations. But can proscenium theatre, with its confining walls, be recognized as a platform for bold experiences? Dominique Drummond, director and writer, explores this topic in his new book "Temporal Frames."
The History of Proscenium Theatre; From 1865 to 1965
Drummond examines the history of proscenium theatre from 1865 to 1965, a period when this type of theatre reached its peak. By analyzing the works of over 70 playwrights, he shows us how this form, despite its limitations, has provided a suitable ground for creativity and innovation.
While today we enjoy open theatres, circular stages, and other modern forms, Drummond reminds us how proscenium theatre can be "liberating." He likens this form to a sonnet or a 12-bar blues, which, despite its constraints, allows for creativity.
Bold Experiments from Chekhov to Brecht
The book "Temporal Frames" is not only a neutral historiography but also, with a personal and passionate perspective on details, introduces us to the bold experiments of theatre from Chekhov to Brecht. Drummond shows us how this theatre, despite its walls, can be a tool for expressing social and political issues.
Ultimately, Dominique Drummond reminds us through his works that theatre is always changing and evolving, and every form, especially proscenium theatre, can be used as a launching pad for creativity and innovation.
